Blog Post

Drawings Of Old Heysham

  • by Jordan Fadden
  • 11 Dec, 2019

Ancient Pilgrim Sites Of Morecambe Bay

St Patrick's Chapel overlooking the bay at sunset, painted in acrylics on canvas
Of all of the many places visited by the great Victorian painter JMW Turner on his travels around England and Europe, Heysham in Lancashire appears quite prominently to have captivated the artist in a way that only somewhere like old Heysham can, as we see in his painting the depiction of a verdant idyll with its rolling wooded hill and inspiring view across the bay to the distant blue mountains of Cumberland (Cumbria).
The village of Heysham is approximately thirty-minutes walk from the West End of Morecambe, and geographically its position can be described as being at a very specific point on Morecambe Bay, directly between the "Inner Bay" and "Outer Bay" when you consider, both topographically and visually, that the ancient hill-top chapel overlooks both of these areas. From this vantage point you can survey these two different regions of the bay.
The grade-listed ruined chapel has existed on this site since around the 8th Century and includes the eerie rock-cut graves nearby. From here the outer-bay stretches all the way to Fleetwood on one side and the Isle of Walney on the other, with a busy ferry route passing through its centre from the nearby port, travelling to the Isle of Man along the edge of what the ancients called 'the crooked sea'.
Only at extreme low water is it possible to walk certain parts of the outer-bay on the opposite side of the crooked sea from here at Heysham Head, whereas the inner-bay is uncovered twice daily by the tide and can be walked when the channels are safe to cross. This was also the subject of Turner's work. The tide retreats up to a certain point as you face the Irish sea, and facing inland the same low water reveals an expanse of dark rocks.
This large rocky plateau extends all the way back to Morecambe, and on some maps it goes by the name of 'old man's skear' and is also overlooked by St Peter's church which lies in a hollow close to St Patrick's chapel, both of which date  back to Anglo-Saxon times. The church cemetery drops right down to the shore and is enclosed by a high stone wall to protect the land from the waves of the sea.
Together the church and chapel represent the ancient part of Heysham, long before the village began to emerge. From the date stones on some of the cottages you can see that this was in the early 1600's, long before Morecambe emerged to become the seaside town that it is today. Old Heysham remains a quaint and rather quirky place, also featuring an interesting rocky woodland trail inside what was formerly the rector's garden.
Heysham offers a nice coastal walk along its sandstone cliffs and passes by the tiniest of beaches situated not much further from the graves facing the Coniston mountains. And further along is Half-Moon Bay where a new public art sculpture best expresses the contemplative mood, Viking history and geographical placement of Heysham, as two figures sitting on a ship gaze in opposite directions.
Pen & ink study on A3 paper. The negative space within the doorway had to be just right from this angle when standing to draw, but offers a better perspective. I used a copy of this to transfer the shape on to canvas using graphite, placing it exactly where I wanted. It will serve useful for any additional paintings of the same subject at different times of the day.
Lighter scanned image of A3 study
A large rocky shelter situated in the woods not far from the chapel, drawn in the Autumn using acrylics on paper.
Lighter scanned image of A3 study
Permanent Indian ink on A3 smooth heavyweight paper using dip pen. This was based on pencil studies.
Lighter scanned image of A3 drawing
The rector's garden is enclosed by a high stone wall and can now be accessed on foot to explore the woodland. It's largely overgrown in places. When I first stopped to draw this in pencil, walkers were entering breathless from having been exposed to the strong coastal wind, yet from here it was completely calm.
A3 pencil study of the ancient Viking hogback stone kept inside St Peter's Church. This is only one side of the huge stone, and conveys the intricate nature of the carvings which include figures and animals. It's especially striking when sunlight enters through the windows.
The original Saxon doorway was discovered in St Peter's Church and now sits in a corner of the churchyard among gravestones and crosses in a wall leading to a small path up to the chapel.
A quick study of the church of St Peter using acrylic inks on A3 paper. Around the back of the building the view opens up on to the bay, and in Spring you often see lots of crocuses
On a clear day from Heysham Head you can see across the bay to the Coniston mountains and beyond

Drawings Of Old Heysham

  • by Jordan Fadden
  • 11 Dec, 2019

Ancient Pilgrim Sites Of Morecambe Bay

St Patrick's Chapel overlooking the bay at sunset, painted in acrylics on canvas
Of all of the many places visited by the great Victorian painter JMW Turner on his travels around England and Europe, Heysham in Lancashire appears quite prominently to have captivated the artist in a way that only somewhere like old Heysham can, as we see in his painting the depiction of a verdant idyll with its rolling wooded hill and inspiring view across the bay to the distant blue mountains of Cumberland (Cumbria).
The village of Heysham is approximately thirty-minutes walk from the West End of Morecambe, and geographically its position can be described as being at a very specific point on Morecambe Bay, directly between the "Inner Bay" and "Outer Bay" when you consider, both topographically and visually, that the ancient hill-top chapel overlooks both of these areas. From this vantage point you can survey these two different regions of the bay.
The grade-listed ruined chapel has existed on this site since around the 8th Century and includes the eerie rock-cut graves nearby. From here the outer-bay stretches all the way to Fleetwood on one side and the Isle of Walney on the other, with a busy ferry route passing through its centre from the nearby port, travelling to the Isle of Man along the edge of what the ancients called 'the crooked sea'.
Only at extreme low water is it possible to walk certain parts of the outer-bay on the opposite side of the crooked sea from here at Heysham Head, whereas the inner-bay is uncovered twice daily by the tide and can be walked when the channels are safe to cross. This was also the subject of Turner's work. The tide retreats up to a certain point as you face the Irish sea, and facing inland the same low water reveals an expanse of dark rocks.
This large rocky plateau extends all the way back to Morecambe, and on some maps it goes by the name of 'old man's skear' and is also overlooked by St Peter's church which lies in a hollow close to St Patrick's chapel, both of which date  back to Anglo-Saxon times. The church cemetery drops right down to the shore and is enclosed by a high stone wall to protect the land from the waves of the sea.
Together the church and chapel represent the ancient part of Heysham, long before the village began to emerge. From the date stones on some of the cottages you can see that this was in the early 1600's, long before Morecambe emerged to become the seaside town that it is today. Old Heysham remains a quaint and rather quirky place, also featuring an interesting rocky woodland trail inside what was formerly the rector's garden.
Heysham offers a nice coastal walk along its sandstone cliffs and passes by the tiniest of beaches situated not much further from the graves facing the Coniston mountains. And further along is Half-Moon Bay where a new public art sculpture best expresses the contemplative mood, Viking history and geographical placement of Heysham, as two figures sitting on a ship gaze in opposite directions.
Pen & ink study on A3 paper. The negative space within the doorway had to be just right from this angle when standing to draw, but offers a better perspective. I used a copy of this to transfer the shape on to canvas using graphite, placing it exactly where I wanted. It will serve useful for any additional paintings of the same subject at different times of the day.
Lighter scanned image of A3 study
A large rocky shelter situated in the woods not far from the chapel, drawn in the Autumn using acrylics on paper.
Lighter scanned image of A3 study
Permanent Indian ink on A3 smooth heavyweight paper using dip pen. This was based on pencil studies.
Lighter scanned image of A3 drawing
The rector's garden is enclosed by a high stone wall and can now be accessed on foot to explore the woodland. It's largely overgrown in places. When I first stopped to draw this in pencil, walkers were entering breathless from having been exposed to the strong coastal wind, yet from here it was completely calm.
A3 pencil study of the ancient Viking hogback stone kept inside St Peter's Church. This is only one side of the huge stone, and conveys the intricate nature of the carvings which include figures and animals. It's especially striking when sunlight enters through the windows.
The original Saxon doorway was discovered in St Peter's Church and now sits in a corner of the churchyard among gravestones and crosses in a wall leading to a small path up to the chapel.
A quick study of the church of St Peter using acrylic inks on A3 paper. Around the back of the building the view opens up on to the bay, and in Spring you often see lots of crocuses
On a clear day from Heysham Head you can see across the bay to the Coniston mountains and beyond
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