Blog Post

Coastal Cliffs And Coves

  • by Jordan Fadden
  • 28 Feb, 2019

Location Drawing On The Silverdale Coast

A defining feature of Silverdale shore is the saltmarsh as it disappears and returns. On a Summer's day you will see the many pebble-beaches shine white from a distance. Shot using 50mm Nikkor lens
As far as coastlines go, Silverdale's in North-West Lancashire is unique insofar as it lies at the innermost point of the great 'inner-sea' that is Morecambe Bay and consists of many hidden coves and pebbled beaches which continue for miles over the border into Cumbria. In the past week the temperature has risen to as high as twenty-degrees due to warm air drifting up from the hot south. During this very warm spell I've made a number of visits to a specific point along this coast to one of the biggest coves, also undertaking my first Cross-Bay walk of the year in between visits, to do some location drawing. At the time of my first few visits some of the highest spring tides of the year occurred around midday, before they dropped again in time for my bay walk when the neap tides arrived to make the cross safer.

Cow's Mouth (also known as Jack Scout Cove)

The cove I visited is known to some people - notably rock climbers - as Jack Scout Cove. This is because it is situated next to the National Trust land named Jack Scout, which offers some of the best views of the bay. But the proper name for what is one of the biggest coves in the area is Cow's Mouth. In centuries gone by it was used as an access point for cattle drovers who would have made their way across the sands and salt marsh up to Gibraltar Farm. And because this is now a privately-owned caravan park and campsite, accessing Cow's Mouth can be difficult as you have to negotiate your way down the rocks when the tide is out. As for when the tide is in, it can be impossible to continue in either direction if you're on a coastal walk. For my location drawing I was on the North-side facing the enormous cliff.
Most of my visits to the cove were made early in the morning when I knew that the huge cliff was still in the shade, as I already knew what it was that I wanted to focus on. I've drawn the rocks opposite the cliff when inside the cove looking back at the sea. This was in the Summer when one of the trees had all of its leaves, and at a time of day when the hot sun shone directly on top of the rocks to make the fissures appear even darker and more pronounced. It was on a day when there was a haze, and the sky and sea occasionally merged into one with hardly a ripple in the water. Places such as this can seem quite dreamlike on days like these, and the peeping calls of the Oystercatcher as they fly across the surface of the sea in small groups or the sound of Curlew only enhances your experience of the Silverdale Coast.
When the high tide is in and the conditions are calm on a warm and hazy Summer's day, hardly a ripple can be seen across the sea
This week I was interested in the same tree but from the opposite side looking in to the cove. In Winter sunshine you see all of its branches illuminated against the dark shade of the cliff behind. Up to a certain time in the late morning most of the cliff and hillside remains in shadow, before the sun begins to lighten some of the trees which are windshaped across the cliff-top, and then the sunlight wipes away the shadows by the afternoon. At this point I have taken a different perspective looking back to the bay again, when you get a nice play of light and shadow on the rock-face. It is a sheer vertical cliff which features a cave, and on one of my visits during the high spring tides I decided to draw the reflection of this cave when the sea level was just beginning to drop without too much movement from the wind.
A3 drawing of Cow's Mouth Cave from the edge of the rocks opposite when the tide is in.
A2 ink painting of the cove when morning sunshine reaches the tree.
A2 ink painting of the same cove looking out to the bay in late sunshine.
One of a series of quick acrylic ink sketches focusing on the light and shadow
Clifftop drawing with figures walking in the bottom-right
Pencil sketching from the cliffs of Jack Scout as mudflats begin to reveal themselves
Acrylic paint on bamboo paper from a clifftop walk one evening. The quickly-changing conditions out here force you to work fast

Location Drawing

A subject as big as Cow's Mouth can offer you endless possibilities for expression. And for me, location drawing is a way in which I can explore some of those possibilities by learning about the subject and making studies and experiments. If you spend enough time working in this way - or painting en plain air - then not only can you express some of the excitement you felt at the time, but your experience is greatly enhanced by all of the other things which you see and feel as you continue working. We do not have an endless supply of energy, and nothing is more challenging than working in this way. On the edge of the cove I was able to listen out for the tidal bore and watch as it crashed in to the rocks, quickly filling Cow's Mouth and flooding the cave. And after its retreat, my gaze inevitably returns to the vast expanse of the bay.
Setting up a makeshift tripod at the cove edge to accommodate for the large spaces in the rocks.

Silverdale Cove is another interesting one situated on the opposite side of the village, and similar features continue all the way up to Arnside as long as you don't mind a bit of sloppy mud when it's wet.

As an afterthought I wish to relay some observations I made during my discovery of Cow's Mouth in Summer 2018, when a young couple arrived when I was drawing and began filling a bag with some of the plastic waste washed up inside the cove. More than a few bin liners could have quickly been filled, and scientists have now apparently discovered plastic fibers in the deepest trenches of our oceans.

Coastal Cliffs And Coves

  • by Jordan Fadden
  • 28 Feb, 2019

Location Drawing On The Silverdale Coast

A defining feature of Silverdale shore is the saltmarsh as it disappears and returns. On a Summer's day you will see the many pebble-beaches shine white from a distance. Shot using 50mm Nikkor lens
As far as coastlines go, Silverdale's in North-West Lancashire is unique insofar as it lies at the innermost point of the great 'inner-sea' that is Morecambe Bay and consists of many hidden coves and pebbled beaches which continue for miles over the border into Cumbria. In the past week the temperature has risen to as high as twenty-degrees due to warm air drifting up from the hot south. During this very warm spell I've made a number of visits to a specific point along this coast to one of the biggest coves, also undertaking my first Cross-Bay walk of the year in between visits, to do some location drawing. At the time of my first few visits some of the highest spring tides of the year occurred around midday, before they dropped again in time for my bay walk when the neap tides arrived to make the cross safer.

Cow's Mouth (also known as Jack Scout Cove)

The cove I visited is known to some people - notably rock climbers - as Jack Scout Cove. This is because it is situated next to the National Trust land named Jack Scout, which offers some of the best views of the bay. But the proper name for what is one of the biggest coves in the area is Cow's Mouth. In centuries gone by it was used as an access point for cattle drovers who would have made their way across the sands and salt marsh up to Gibraltar Farm. And because this is now a privately-owned caravan park and campsite, accessing Cow's Mouth can be difficult as you have to negotiate your way down the rocks when the tide is out. As for when the tide is in, it can be impossible to continue in either direction if you're on a coastal walk. For my location drawing I was on the North-side facing the enormous cliff.
Most of my visits to the cove were made early in the morning when I knew that the huge cliff was still in the shade, as I already knew what it was that I wanted to focus on. I've drawn the rocks opposite the cliff when inside the cove looking back at the sea. This was in the Summer when one of the trees had all of its leaves, and at a time of day when the hot sun shone directly on top of the rocks to make the fissures appear even darker and more pronounced. It was on a day when there was a haze, and the sky and sea occasionally merged into one with hardly a ripple in the water. Places such as this can seem quite dreamlike on days like these, and the peeping calls of the Oystercatcher as they fly across the surface of the sea in small groups or the sound of Curlew only enhances your experience of the Silverdale Coast.
When the high tide is in and the conditions are calm on a warm and hazy Summer's day, hardly a ripple can be seen across the sea
This week I was interested in the same tree but from the opposite side looking in to the cove. In Winter sunshine you see all of its branches illuminated against the dark shade of the cliff behind. Up to a certain time in the late morning most of the cliff and hillside remains in shadow, before the sun begins to lighten some of the trees which are windshaped across the cliff-top, and then the sunlight wipes away the shadows by the afternoon. At this point I have taken a different perspective looking back to the bay again, when you get a nice play of light and shadow on the rock-face. It is a sheer vertical cliff which features a cave, and on one of my visits during the high spring tides I decided to draw the reflection of this cave when the sea level was just beginning to drop without too much movement from the wind.
A3 drawing of Cow's Mouth Cave from the edge of the rocks opposite when the tide is in.
A2 ink painting of the cove when morning sunshine reaches the tree.
A2 ink painting of the same cove looking out to the bay in late sunshine.
One of a series of quick acrylic ink sketches focusing on the light and shadow
Clifftop drawing with figures walking in the bottom-right
Pencil sketching from the cliffs of Jack Scout as mudflats begin to reveal themselves
Acrylic paint on bamboo paper from a clifftop walk one evening. The quickly-changing conditions out here force you to work fast

Location Drawing

A subject as big as Cow's Mouth can offer you endless possibilities for expression. And for me, location drawing is a way in which I can explore some of those possibilities by learning about the subject and making studies and experiments. If you spend enough time working in this way - or painting en plain air - then not only can you express some of the excitement you felt at the time, but your experience is greatly enhanced by all of the other things which you see and feel as you continue working. We do not have an endless supply of energy, and nothing is more challenging than working in this way. On the edge of the cove I was able to listen out for the tidal bore and watch as it crashed in to the rocks, quickly filling Cow's Mouth and flooding the cave. And after its retreat, my gaze inevitably returns to the vast expanse of the bay.
Setting up a makeshift tripod at the cove edge to accommodate for the large spaces in the rocks.

Silverdale Cove is another interesting one situated on the opposite side of the village, and similar features continue all the way up to Arnside as long as you don't mind a bit of sloppy mud when it's wet.

As an afterthought I wish to relay some observations I made during my discovery of Cow's Mouth in Summer 2018, when a young couple arrived when I was drawing and began filling a bag with some of the plastic waste washed up inside the cove. More than a few bin liners could have quickly been filled, and scientists have now apparently discovered plastic fibers in the deepest trenches of our oceans.
by Jordan Fadden 19 March 2024
As we move from Winter into Spring time, one place I ventured into for the first time last week was the dramatic moorland region around the North Yorkshire villages of Clapham and Austwick. As you make your ascent on the steep tracks, incredible panoramic views open up across the Forest of Bowland to the south. And as you ascend farther into the Dales you encounter all kinds of interesting boulders, crags, and screes. The distinctive dry stone walls and many field barns confirm that you are well inside the National Park, with streams gushing from the hills and limestone pavement dominating the views of the famous Yorkshire three-peaks once you arrive on high ground. 
by Jordan Fadden 29 January 2024
The smartphone offers an alternative way of drawing and seeing. Even when you're not one for spending very much time looking at little screens, and swiping and tapping and scrolling, the smartphone can still be a useful device if you happen to be without your usual materials. And of course a tablet would be the next step if you was really inclined to using a digital means of sketching, especially if your focus is going to be on landscapes. As small as the touchscreen is, it responds to subtle movements made by the finger or thumb. No app was used here, just the basic photo editor which allows you to make marks over the top. The phone I used was a Samsung Galaxy S8 Edge. Very small compared to most.
by Jordan Fadden 11 January 2024
Thank you for the memories to those whom I met on my journey to the famous lagoon, - in particular Florentina and Theodora who invited me to Padua to show me the sights of this nearby town at night. Tina was a most knowledgeable guide, whilst Dora kept us amused with her hilarious accent. Also, best wishes to Kalina and Milena. I very much look forward to revisiting Venezia in the future. Even though the days are only short, and the weather still quite cold and unpredictable, the light in January is still dazzling as you can see.
by Jordan Fadden 1 December 2023
It felt more like the depths of Winter, rather than the start, during my five-day's of hiking across high land at the end of November. The North Pennines is a vast area, featuring the highest paved roads in the country. And the weather can be more changeable than anywhere else; atop Great Dun Fell there's a radar and weather station specifically for studying the clouds, because here you get the highest amount of precipitation.
by Jordan Fadden 23 October 2023
The following selection of images represents some of my recent travel photography on a visit to the southernmost Greek island of Crete in late September to mid-October 2023. When viewing these pictures, imagine if you can the sound of bells jingling as mountain goats pass across the mountainsides and roads, the loud noise of crickets, the smell of salt air from the Mediterranean and Libyan sea, and of the chatter of the Cretan folk with their warm hospitality as they prepare their wonderful cuisine rich in olive oil and complemented by their drink offerings of raki and retsina. 
by Jordan Fadden 6 June 2023
This is a visual diary in photographs from a few days of hiking and mountain climbing in the English Lake District last weekend. I covered quite a lot of ground from the high mountain of Helvellyn in the East across to the more Westerly mountain of Haystacks before descending in to the Buttermere Valley. It was very lively down by the shores of Lake Buttermere as an annual paragliding event was taking place, with people dropping from aeroplanes and flying off most of the surrounding high peaks before trying to land as close to the target in one of the fields. Some of the participants descended in somersaults leaving colourful trails of smoke behind them. 
by Jordan Fadden 6 April 2023
It is possible to cycle all the way around the Lake District National Park in a day without stopping, and yet despite the modest scale and altitude of these mountains compared to the world's greatest mountain ranges it can still feel extraordinarily remote and wild when you're hiking in the district, with mountain terrain which is just as challenging and impressive as any other. The quality of light and how dramatically the light and shadows shift across the fells here is second to none. This is because it's like a miniature version of any other rugged mountain region. And late last week I hiked across some of the highest peaks including Bow Fell, Scafell Pike, Kirk Fell and Pillar, following a route from Great Langdale to Wasdale and finally on to Borrowdale via Green Gable and Gillercomb.
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This is a series of photographs shot during a hike in to the mountains earlier this week on a visit to the central and western Lake District. I made my way up to a fell summit called Allen Crags via Sprinkling Tarn and Esk Hause. Many of the steep footpaths were quite treacherous due to the ice, and the snow on the tops was knee deep in places. The wind was blowing quite strongly from the north, so added to the already freezing temperatures was a wind chill making it feel much below freezing. 
by Jordan Fadden 18 August 2022
This is a kind of visual diary in photographs of a six-day jaunt hiking through parts of the Lake District National Park last week. It was a very mild, and occasionally hot week - not a single cloud appeared in the sky for five-days. And by Sunday evening thunder and lightning arrived as I made my way Northwards back to where I started.
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